Tuesday, March 6, 2012

Saturday, February 18, 2012

A Sneak Peak at Spring Classes!

Next week you should be receiving your Spring catalog, but I wanted to give you a sneak peak at our new photography classes that we will be offering in our Spring session. You can't register for them yet, but you'll at least be able to take a look at what is being offered.  I'm really excited about them, and I hope you'll find something new here that sparks your interest!  Here are just a few of our new classes. We have lots more to offer so keep an eye out for your catalog!

687 The Business of Wedding Photography  Wedding photography is one of the most challenging yet rewarding professions that a photographer can undertake. It is not as simple as picking up your camera and shooting: there are many different aspects of this exciting career to explore. This in-depth class examines the complete business of wedding photography from getting started, to advertising, to shooting, to completing images in the digital darkroom. A wedding photographer for the past 11 years, Amanda Sullivan takes us through the do’s-and-don’ts of a changing profession. It is a must for anyone considering a career in wedding photography! (Pair this up with our mock wedding workshop and build your portfolio!)

617 iPhoneography  Explore the wonderful world of the iPhone photo. The amazing thing about iPhone cameras is that, with the right knowledge, you can create remarkable photographic darkroom and art techniques with the touch of a button! Find out the best apps available to create images that wow your friends and family. **Though the focus is on iPhones, this class will work for any camera phone.

601 Documentary and Street Photography  Every day we see photographs and wish we had our camera with us to capture them! This course is about capturing those moments we see every day. Street photography has been used by many photographers as an art form, a way to record human culture, and a way to learn how to be one with the camera. This class will also go over Documentary Photography, learning how to put together a project that matters to you. We will study from the past masters and talk about topics such as legal rights, composition, how to pick a documentary project, shutter speed and aperture, film vs. digital, which lens is best, black and white vs. color, and many more. Any skill level. Digital or film cameras required.
Those will film cameras will have access to the darkroom throughout the duration of the class.

618 Light Graffiti: An Introduction to Light Painting  Light Painting Photography is an imaginative, fun technique that involves long exposures and the movement of light, using glowsticks, sparklers, flashlights and other light sources. You will learn how to actually “write” on your photograph using light in a way that is uniquely yours! Learn to create wild, amazing images with a technique that has been around since 1914, used by such popular artists as Man Ray and Pablo Picasso. A digital camera with the capacity for long shutter speeds is required.

697 Mastering Layers and Creative Compositing  in Photoshop CS5  Creative compositing starts with an inspired idea and ends with a successful and convincing montage. We will begin by exploring the basic properties of a pixel in order to harness the full power of Photoshop. From there, we will discuss advanced methods for breaking down an idea, isolating visual elements, getting good blends, and finally understanding how to use lighting and color-grading to tie your composite together into one seamless scene. This is a fairly technical class for the Photoshop user who wants to get more out of their software than basic color corrections and clean-up, so a good understanding of layers and masks is a suggested prerequisite for this course. Unlock your full digital potential and go beyond just capturing your vision in-camera to completely creating it in post!


621 High Contrast Photography  Turn your photos into high contrast works of art in this fantastic Photoshop class. High contrast photography is vivid and evocative, and can be easily achieved by learning a few useful Photoshop techniques. Add some drama to your photos and see why high contrast photography is so popular! Students need to bring images to class that they would like to manipulate on disc or flash drive. A working knowledge of Photoshop is recommended.

6570 Intro to the Art of Pinhole Photography  The original camera consisted of a light tight box with a hole in it with no expensive lens, knobs, or gizmos! Going back to the beginning and letting go of technology is an adventure that is exciting! We will learn how to use inexpensive cookie tins to create pinhole cameras using only available light, time, and darkroom chemicals. Join us and learn how to play again as you create one-of-a kind works of art! No cameras required.

As I said, these are just a few of our great new classes that we will be offering.  Be on the lookout for our catalog in the mail soon, and also online!

Until we meet again,
Amanda

Friday, January 27, 2012

The Art Lives On


So Kodak has filed for Chapter 11.  I must admit the news made me sad.  I'm not going to go on a nostalgia trip, nor a digital bashing (I LOVE digital photography.  I'm not against it in any way) but it did make me sad to hear the news.  I'm not going to comment on what Kodak should or should not have done, but  here is a good article if you are interested in reading about it: http://www.guardian.co.uk/technology/2012/jan/22/john-naughton-kodak-lessons  What will become of Kodak is anyone's guess. I hope they'll find a way to stay in business, but I do worry for the future of film.  I'm afraid it will become harder and harder to find film, especially locally.  

Film has been a staple in my life since I was old enough to hold a camera.  We had a darkroom in my home growing up, and it was always mysterious and wonderful to me.  Being in a small, dark, quiet space watching something that you created come to life was--and still is--such a thrill.  

People ask me quite often what my stance on digital vs. film is.  I love both.  Both are forms of art that are quite different despite their similarities.  I think that we have to rethink film to make it work for the 21st century, however.  Film photography is no longer used for documentation.  That all goes to the digital realm.  Film photography is an art form that is no different from clay or painting, for example.  A potter uses a wheel and a kiln to create art.  A watercolor or acrylic artist uses paint and a canvas to create art.  And a film photographer uses film and a darkroom to create art.  Though there are many digital programs that now allow one to create a painting on a computer, there are many who will never stray from the traditional brush-to-canvas method of painting.  The same is true with film photography.  I use digital photography in my work and every day life for both documentation and art.  But when I want to use the darkroom, I am concentrating on an art form that has been around for over 100 years.  I don't see why I have to give that up in lieu of digital.  I use both for different things.  

Digital photography makes sense to a generation of people who have grown up in the computer age with immediate results.  If you need a report for school, you look up the information online immediately instead of planning a trip to the library.  If you want to find a picture that Ansel Adams took, you look it up online instead of finding it in a book.  If you want music, you download it instead of heading off to your local record store to look for it.  And now you can even get a movie instantly if you want to watch something.  Want to share something with your friend? There's texting, cell phones, and social networks all at your fingertips the exact moment you have an idea.  It is the age of the immediate indeed, and digital photography fits right in.  You don't have to wait to see your image.  It is right there in front of you.

I would hope, though, that people start recognizing film photography for what it is: a beautiful art form that is a process instead of an immediate. Just like sculpting, painting by brush, knitting, jewelry-making, or whatever art form you enjoy, film photography forces you to slow down and take a breath in a world that can be haphazard and frantic.

There's certainly nothing wrong with that.

Until we meet again,
Amanda



Thursday, January 12, 2012

Another Intro DSLR class added!

Due to the large wait list we currently have, we are adding another Intro DSLR class to our Winter schedule!
The section number is 606 C, and it will be taught by our wonderful, entertaining professional photographer, Dan Simonson.  The class starts next week, and will run for 6 Thursdays, Jan. 19th-Feb. 23th from 6:30-8:30 in the evenings.

Call today if you would like to sign up, or register online.

Until we meet again,
Amanda

Tuesday, January 3, 2012

Time is Running Out---Early Registrations Ends Soon!

Just a reminder to let you know that early registration for classes ends on Friday, January 6th, so if you are interested in a class, call soon to get the early bird discount!

Happy New Year!
Amanda

Thursday, December 22, 2011

Change in Dates for Nighttime Photo class

Just a head's up to anyone interested in the Intro to Nighttime Photography class, #630. Instead of beginning on February 4th, it will now begin on February 11th and will run through February 25th. The class time is the same, 6:30-8:30.

It should be a great class, and a must for anyone who needs a little extra help with nighttime and low-light photography!
photo by instructor Keith Morgan.

Until we meet again,
Amanda

Tuesday, December 13, 2011

Winter Class Calendars

I recently had a great suggestion from a student to create a calendar with all of the photography classes laid out.  There are so many classes offered in our Winter session, that this would be a helpful way to look at them all at once to see which ones may fit into your schedule.  When I upload them here, you cannot see them very well, but take a look below and you will get an idea of what I am talking about.  If you would like for me to e-mail you a copy of the calendars, I will be glad to.  Just let me know at photo@sawtooth.org.

Happy Holidays to all of you!  I look forward to the start of our Winter session!

Until we meet again,
Amanda